nearlya:

Christiane Baumgartner.  Klassenkameraden, 1999, set of three silkscreens on somerset paper

iamjapanese:

Luigi Kasimir(Austrian, 1881-1962)

New York-Fog and Mist    1936   Soft ground etching with aquatint in color

N. Y. Bowling Green II    Color aquatint etching

St. Moritz    Color Etching with Remarque

Grinzing, Vienna     Etching and aquatint in colors

Aggstein Castle     Etching and aquatint in colors

(via printmakersopenforum)

printeresting:

(via TSU Proof) Ciara Phillips, Just You, Screenprint on canvas with cotton applique, from Galerie Praterstrasse, Berlin, 28 February - 4 April 2014. A printmaker on the Turner Prize shortlist- that is news!

(via printmakersopenforum)

printmakersopenforum:

erikkwakkel:

The book that emerged from a bog after 1200 years

This is the remarkable story of a medieval book that spent 1200 years in the mud. Around 800 someone had a Book of Psalms made, a portable copy fitted with a leather satchel. The book consisted of sixty sheets of parchment that were carefully filled with handwritten words. Somehow the book ended up in a remote bog at Faddan More in north Tipperary, close to the town of Birr, Ireland. Dropped, perhaps, by the owner? Was he walking and reading at the same time? Did he himself also end up in the bog?

Fast-forward to 2006. Eddie Fogarty, the operator of a turf digger, noticed an object with faint lettering in the bucket of his machine (pic 1). There it was again, our Book of Psalms! At this point it resembled something from an Aliens movie (pic 2), but that changed quickly after it went to the restoration lab. Thanks to the conservation properties of turf, many pages were still intact, as was its leather satchel (pic 3), the only surviving specimen from this early period. Remarkably, among the damaged pages were some that had let go of the words: kept together merely by ink, the words were floating around by themselves - like some sort of medieval Scrabble (pic 4). It’s the most remarkable bookish survival story I know.

More on this phenomenal find in this news article and this one. Here is the bog and the machine that dug up the book More on the restoration process here. More about the papyrus found in the binding here. This is a nice movie on the book.

Really must reblog

nickkahler:

Tatana Kellner, Poisoned Well, 2013

Poisoned Well consists of a transparent tank filled with water. The names of the 70 most toxic chemicals used in hydro fracking, those that have 10 or more negative health affects, are silkscreen printed onto a roll of water soluble paper. The roll is suspended over the transparent tank. A slowly rotating motor lowers the paper into the water tank. Upon touching the water, the paper dissolves and the text, which does not dissolve, cascades to the bottom. Over a period of days a build up of letters and cloudy paper pulp accumulates at the bottom of the tank, making clearly visible the seemingly invisible potential negative effects of hydro fracking on human health. At the end of the exhibition the accumulated pulp and text is bottled as “Produced water” (the name of fracked waste water).’

(via printmakersopenforum)

seriousbison:

Three monoprints tonight. Still experimenting. Need to find a way to paint on top of the ink without thinning with turps…

Have you thought about multiple passes through the press? Very nice!

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